DOESN'T EVERYBODY NEED AN I'M-WORRIED-BUT-IT'S-GONNABE-OK PIECE OF MUSIC? MINE IS SCHUBERT'S DOUBLE CELLO STRING QUINTET--specifically the slow second movement, followed by the third.
The opening measures of the second movement of Schubert's string quintet (from IMSLP)
Right now on this
December day when I would ordinarily be panicked about the many details of my
imminent departure, I'm sitting out under the pergola peeling apples to the
accompaniment of this soothing piece.
I am reminded that I
wrote about the Schubert piece earlier in the year in response to a wonderful
article I had stumbled upon in "Aeon," a publication I had never
heard of:
"MUSIC AND
RITUAL
Why we love
repetition in music"
by Elizabeth
Hellmuth Margulis
The subtitle was
irresistible:
"One more time
Why do we listen to
our favourite music over and over again? Because repeated sounds work magic in
our brains"
One reader offered a
thoughtful comment:
This is a fascinating
topic that goes beyond music...I know one psychologist described years ago
children's fascination with nursery rhymes and bedtime stories. "Tell me
the one about . . . " is a familiar refrain most parents have heard
countless times. Yet, it's not just children. How many grown men like to read
accounts of sporting events when they already know what happened? Repetition
doesn't spoil the prayer.
Comfort food is
often praised as "something my grandmother would make when I was growing
up." Why is it that I never get tired of seeing a sunset? Same sunset,
different day. Repeat as needed.
I WAS MOVED TO POST
MY OWN COMMENT ABOUT MY SCHUBERT PIECE:
As a lifelong
musician (piano, flute, and in recent decades, viola), I really enjoyed this
article, which I read serendipitously (?) while listening to the sublime
Schubert String Quintet in C Major Opus 163, D.956, also known as the Double
Cello Quintet.
I have worked on
this piece and listened to it obsessively;yet, as familiar as I am with it, I never fail to find the introspective second and third movements
heartbreakingly beautiful. Despite their sense of longing, I turn to them
whenever I need a soothing stress buster.
While it's true that the repetition
is probably an important element of the work's allure, I also like the way I
can change my listening experience depending on whether I focus on the line of
my own viola part, or on that of the whole, or whether I just have the piece on
in the background, which allows the freedom to zero in and out of it at
particularly poignant moments. That's what I'm doing right now. Try the
Cleveland Quartet version with Yo-Yo Ma. That's what I like to imagine that my
amateur chamber group sounds like!
Made me want to go and read the Aeon piece.
ReplyDelete